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Introduction:

Ah yes, Toby Keith’s breakout hit, “Should’ve Been a Cowboy” (1993), a song that needs little introduction for country music fans of a certain era. Released in early 1993, this track wasn’t just a hit for Keith, it was a genre-defining moment. It propelled a young, relatively unknown singer into the national spotlight and established a sound that would come to be synonymous with Toby Keith himself.

Now, for those unfamiliar, let’s set the stage. Country music in the early 90s was at a crossroads. The glitz and pop influences of the 80s were starting to wane, and a new generation of artists were yearning to bring back a more traditional sound. Enter Toby Keith, a singer-songwriter from Oklahoma with a gruff voice, a working-class persona, and a deep love for all things cowboy.

“Should’ve Been a Cowboy” wasn’t just a song, it was a manifesto. The lyrics, penned by Julian Williams, paint a vivid picture of a man stuck in a dead-end office job, daydreaming about a life on the open range. Keith’s delivery is pure, unadulterated country, with a touch of Southern rock swagger thrown in for good measure. The instrumentation is equally traditional – a twangy guitar riff, a steady backbeat, and a fiddle that adds a touch of nostalgia.

The song’s impact was immediate. It shot up the country charts, reaching number one on Billboard’s Hot Country Singles & Tracks chart. It resonated deeply with audiences, particularly those who felt a yearning for a simpler time, a connection to the land, and the rugged independence embodied by the cowboy archetype. Critics were generally positive, praising the song’s catchy melody and Keith’s strong vocals. More importantly, “Should’ve Been a Cowboy” established Toby Keith as a force to be reckoned with. It became his signature song, the one that launched a career that would span decades and produce countless hits.

But “Should’ve Been a Cowboy” wasn’t just a one-off success. It helped usher in a new era of country music, often referred to as “neotraditional country.” This movement emphasized traditional instrumentation, storytelling lyrics, and a focus on working-class values. Artists like Alan Jackson, Trace Adkins, and Tim McGraw all followed in Keith’s wake, bringing a more grounded sound back to country radio.

The song’s legacy extends beyond the music industry. “Should’ve Been a Cowboy” has become a cultural touchstone, referenced in movies, television shows, and even political campaigns. It’s a song that captures a certain American spirit – the desire for freedom, self-reliance, and a connection to the wide-open spaces of the West.

So, when you hear the opening notes of “Should’ve Been a Cowboy,” you’re not just listening to a catchy country tune. You’re hearing a song that helped redefine a genre, launched a superstar career, and captured a specific moment in American culture.

Video:

Lyrics:

“Should’ve Been A Cowboy”

I bet you’ve never heard old Marshal Dillon say
Miss Kitty have you ever thought of running away
Settling down would you marry me
If I ask you twice and beg you pretty please
She’d’ve said, “Yes” in a New York minute
They never tied the knot
His heart wasn’t in it
He stole a kiss as he rode away
He never hung his hat up at Kitty’s placeI should’ve been a cowboy
I should’ve learned to rope and ride
Wearing my six-shooter riding my pony on a cattle drive
Stealing the young girls’ hearts
Just like Gene and Roy
Singing those campfire songs
I should’ve been a cowboy

I might have had a sidekick with a funny name
Running wild through the hills chasing Jesse James
Ending up on the brink of danger
Riding shotgun for the Texas Rangers

Go west young man, haven’t you been told
California’s full of whiskey, women and gold
Sleeping out all night beneath the desert stars
With a dream in my eye and a prayer in my heart

I should’ve been a cowboy
I should’ve learned to rope and ride
Wearing my six-shooter riding my pony on a cattle drive
Stealing the young girls’ hearts
Just like Gene and Roy
Singing those campfire songs
I should’ve been a cowboy

I should’ve been a cowboy
I should’ve learned to rope and ride
Wearing my six-shooter riding my pony on a cattle drive
Stealing the young girls’ hearts
Just like Gene and Roy
Singing those campfire songs
I should’ve been a cowboy
I should’ve been a cowboy
I should’ve been a cowboy
I should’ve been a cowboy