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Introduction:

Ah, yes, Elvis Presley’s “That’s All Right” from the legendary 1968 Comeback Special. Now that’s a performance that deserves a closer look. Buckle up, because we’re diving into a moment that reignited the flame of the King himself.

For those unfamiliar, “That’s All Right” originally rocketed Elvis onto the scene back in 1954. It was a raw, electrifying blend of blues and country, a sound that sent shockwaves through the music industry and ignited a cultural phenomenon. This wasn’t your typical crooning of the era. This was something altogether different, something that pulsed with youthful energy and a captivating defiance. Elvis, alongside Scotty Moore on guitar and Bill Black on bass, breathed new life into Arthur Crudup’s original song, infusing it with a grit and sexuality that left audiences breathless.

Fast forward to 1968. The King’s career had taken a detour. Hollywood musicals had dominated his schedule, and his rock and roll roots had seemingly faded into the background. Enter the Comeback Special, a televised event designed to recapture the magic that first ignited Elvis’s meteoric rise. Here, stripped down to a basic band format with Scotty Moore once again on guitar, D.J. Fontana on drums, and Charlie Hodge on bass, Elvis returned to his musical core.

And what a return it was! “That’s All Right” became the electrifying opening number, a declaration of intent. Elvis, clad in black leather, oozed charisma. His voice, though matured over the years, retained its undeniable power. He delivered the song with a renewed hunger, a playful swagger that reminded everyone why he was crowned the King. The band, tight as ever, locked into a groove that was both loose and energetic. It was a masterclass in stripped-down rock and roll, a testament to the raw power that had captivated audiences over a decade earlier.

The impact of “That’s All Right” in the Comeback Special was undeniable. It wasn’t just a nostalgic trip down memory lane. It was a forceful reminder that Elvis Presley, the King of Rock and Roll, still possessed the musical fire that could ignite a stadium. The performance became a landmark moment, not just for Elvis’s career, but for popular music as a whole. It marked a return to his roots, a reinvigoration of a sound that had forever changed the musical landscape. “That’s All Right” from the 1968 Comeback Special wasn’t just a song; it was a declaration, a triumphant return of a king to his throne.

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Lyrics:

“That’s All Right”
Well, that’s all right now mama
That’s all right with you
That’s all right now mama, just anyway you do
That’s all right, that’s all right
That’s all right now mama, anyway you doMy mama, she done told me, papa done told me too
“Son, that gal you’re foolin’ with
She ain’t no good for you”
But that’s all right now, that’s all right
That’s all right now mama, anyway you do

I’m leaving town, baby
I’m leaving town for sure
Well, then you won’t be bothered with me hanging ’round your door
Well, that’s all right, that’s all right
That’s all right now mama, anyway you do

That’s all right, that’s all right
That’s all right now mama, anyway you do
Well, that’s all right now mama, anyway you do