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Introduction:

Ah, yes, Elvis Presley’s “Stay Away, Joe”. Released in 1968, this track offers a fascinating glimpse into a lesser-known chapter of the King’s career. While many associate Elvis with the electrifying rockabilly of the 50s or the soulful ballads of the 70s, “Stay Away, Joe” finds him venturing into the realm of the musical Western.

Now, the musical Western was a genre that had seen immense popularity throughout the 40s and 50s. Films like “High Noon” and “Singin’ in the Rain” often featured sweeping orchestral arrangements and toe-tapping cowboy tunes that perfectly complemented the dusty landscapes and thrilling shootouts on screen. By the late 60s, however, the genre’s popularity had begun to wane. This is where “Stay Away, Joe” becomes a curious anomaly.

The film itself, also titled “Stay Away, Joe,” was a comedic Western starring Elvis alongside veteran actors like Burgess Meredith and Joan Blondell. The narrative focused on Joe Lightcloud, a Navajo rodeo champion who returns to his reservation to help his people. Elvis, ever the charismatic performer, embodied the role with a cool confidence and effortless charm.

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Musically, “Stay Away, Joe” doesn’t quite fit the mold of a traditional Western soundtrack. Sure, there are hints of the genre in the twangy guitar lines and the occasional harmonica flourish. However, the song is undeniably influenced by the musical trends of the late 60s. The rhythm section lays down a steady, driving beat, and the overall sound leans more towards a pop aesthetic than a full-blown orchestral Western score. This creates a unique blend – a modern pop sensibility infused with the spirit of the Wild West.

Interestingly, “Stay Away, Joe” wasn’t even a major promotional single for the film. Elvis recorded a handful of songs for the soundtrack, but the focus remained on the comedic narrative rather than the music. However, the track has gained a certain cult status among Elvis fans and music historians alike. It stands as a testament to the King’s versatility as a performer, his willingness to experiment with different genres, and the enduring appeal of the Western motif, even in its waning years.

So, as you listen to “Stay Away, Joe”, keep these elements in mind. It’s not just a song; it’s a time capsule, transporting you back to a specific era in Elvis’ career and the evolution of the musical Western. It’s a reminder that even the King of Rock and Roll could surprise you with his genre-bending explorations.

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Lyrics:

“Stay Away, Joe”

Ho jump down, spin around, let’s have a party
Look who’s back, Stay Away Joe
Chock taw, chick a Shaw, gonna drink me hearty
Welcome back, Stay Away JoeStay Away Joe they call me
Stay Away Joe, oh yeah
But if you need me call me
Hoop and a holler and I’ll be there
Ho

Who keeps turnin’ up like a bad penny
Take one guess, Stay Away Joe
Always findin’ trouble a-plenty
Oh my yes, I reckon you know

Stay Away Joe they call me
Stay Away Joe, oh yeah
But if you need me call me
Hoop and a holler and I’ll be there
Ho

When two lips are right for the pickin’
Who crops up, Stay Away Joe
I love them and leave them screamin’ ‘n kickin’
Giddy up look at him look at him go

Stay Away Joe they call me
Stay Away Joe, oh yeah
But if you need me call me
Hoop and a holler and I’ll be there
Hey